It’s not just metaphoric to say that all the world is a stage. The theater into which people are born has evolutionarily become an intensely strict combine of agreements which cunningly limit spirit development, dash liberty, and displace freedom with subtle incarceration. The casualties of this developmental limiting are staggering. There is absolutely no value to the relative perception of how big, or small, the theater bubble of our collective residence is or isn’t. It’s a shared realty bubble. Every player is under an influence; millennia old mind domination influences that have definite and distinct scientific effects. This terrestrial stage is set with tools and features of limitation and control which are deliberately imposed, strictly enforced, exploited and abused by hysterically neurotic directors. Directors that routinely show up to order the cast around, brag, bow, and accept self congratulations while perpetuating perverse distorted storylines consistently with idiotically simplistic cliches like, “Defending freedom”, “Demanding justice”, “Peaceful solution”, You’re either with us, or with them.”, “Safe and effective” and on, and on with a solid string dummy down buzz words. If any amount of critical thought is applied to understanding the score this production, as it’s described by the directors, it’s not a reach to conclude that we are dealing with the theater of the absurd. The ludicrous abomination of social order and (dis)function that is promoted as being a logical necessary function of natural evolutionary function is wrong. We are on an enforced timeline that has effectively theatrical scenes in the chronology, of so called “history”. It is designed. There are alternatives outside these theater company constraints. If one really wants a clear view “reality” within REALITY a massive upheaval of the whole world story has to happen, as well as, how it’s told, and how it’s heard.
Intentionally loving communion begins with prayer, hymn, or tone… * Hindu… lead us from unreal to the real;
It’s not easy to catch a moth. If one turns on a light, the moth effectively catches itself. So it is with the influence of madness and fear bait. The key element that makes all the theatrical machinery work is trust. The delicacy and vulnerability of believe is accessed by the portal of trust. With all the precision of fine surgical technique, a mass mind invasion has been executed behind the moniker of authority. In a sense it is impossible to miss, and in an, almost equal and, opposite sense it is nearly perfectly invisible. It’s a systematic scientific plan. It’s been working deliberately for many generations. The spread of the influences of scientific theatrical distraction have genocided the rites of genuine organic culture to the marginal perimeter of peer gathered belief, decimated critical thought, and created serious illness. There may very likely come a point where the theater goer comes to the believe that the show they are involved in is a mess; an incoherent mess. If we’re gonna get through a mess, we’re going to need a guide.
The guidance system is within. It is no wonder that the leaders of our society work so hard to get inside. The now vast sprawling complexes of entertainment, medicine, “law”, defense, government, market, and banking have like a propagandistic domination of most observable things. Take it for what it’s worth; there is a very real place beyond the boundaries of these theater walls. It one person’s view (and maybe more than just one) this is an area of the world worth exploring an expansion into. Embarkation on an expansion will expose guides. When the student is ready, the teacher appears type of stuff. Are we prepared?